Yes, I am continuing to use this space for shilling my work. What do you expect? Journalistic integrity? If you'd like to read a discussion, you could try here.
1) Interview with the Author opens on Sunday June 3rd at 5:15pm. This is a part of the Pretentious Festival. It features yours truly interviewing yours truly about my Art with a capital "A." You will be completely floored by how important I am. Look here if you doubt me.
To buy tickets and/or check the schedule, go to the Brick Theater's webpage and scroll down to the lovely picture of me. The tickets are $10.
2) The Impending Theatrical Blogging Event is on Sunday, June 3rd at 9pm.
Yes, you could simply read all of our blogs and this central blog live as it happens... but then you'd be just doing what you clearly do anyway. Which is reading blogs from somewhere comfortable or, more likely, from work. Instead, come out and see the bleary-eyed bloggers in the flesh.
Think of it this way: If you are reading these very words, you are the core audience for this one-night only performance. Think of it as, um, a happening. Of non-happening. Think of it as watching people participate in a silent conversation, in fake space, while you watch. I mean seriously, how could you pass that up?
3) The Sophisticates. If you're a reader of blogs, check out the reading of John Devore's new play. I've read a draft of it and it made me want to pee. With joy. Read more ringing endorsements of it here.
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.