About Me

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Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

Monday, November 05, 2007

Who paid...

For this little Heroes advertisement? Especially because, despite my being an easy mark for this sort of thing, I (along with most other humans who pay much attention) found Season 2 to be dull and diffuse and lacking desperately in narrative cohesion. Not that Season 1 was Dickens or anything.

Weird. That's all I can say.

1 comment:

Travis Bedard said...

I am also desperately tired of the creators decision to have NOTHING happen off camera. We left these characters for 6 months and they have no greater knowledge or experience than when we left them.