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Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

Friday, May 07, 2010

A little bit of the Denouement script

First, I swear I thought you’d lost it with this constructed bullshit about how everything needs to be simplified. How Gwen’s files would unlock some key to a better workflow and bleeding edge processes. But now I see what you were really after all along. To upend our whole system entirely with this nonsense about city-states. Does this look like goddamn Athens to you? In such and such B.C.? Or would you say BCE you liberal new historicist? You’ll have us all in the clink you will. You’ll have us worshipping lesser Gods and bartering for our stock options like a common Afrikaner. It’s shameless. And you should be ashamed.

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