Working on a new solo piece, likely for the Brick's "DEMOCRACY" Festival this summer. Details to be unleashed on you, the public, when they're more settled and clear.
Trying to do an audio version of in the great expanse of space there is nothing to see but More, More, More. It lends itself to that, I think.
Have some feelers out to find a good home for a full production of That Old Soft Shoe which I think really should be staged before the November election. It's a good old fashioned Ionesco-y political play.
Also, my newest play, Why We Left Brooklyn (or The Dinner Party Play) has some intriguing prospects for production. Stay tuned, folks.
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.