On Theatre and Politics - Matthew Freeman

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Monday, June 22, 2009

NY Magazine on Female Playwrights

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"In three separate studies — which Rouse calls a "triple play" — across 170 pages, [Emily Glassberg] Sands finds gender bias on the part of both men and women in script selection and production, and shows that it hurts theaters economically.

Her first analysis, derived from crunching data about plays and playwrights from the website doollee.com, reveals that women tend to write plays about women, but plays featuring female protagonists are produced less often than those starring men. And, while the proportion of scripts that get produced is fairly equal between men and women, the total number of productions is inequitable since fewer women write plays (one informal study of nonprofit theaters by the playwright Julia Jordan found that 17 percent of their plays were written by women). One way women have compensated for writing female stories is to write fewer roles, which make their plays accessible to more theaters."

Freeman at 12:17 PM
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Freeman
Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.
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