And we continue onwards. Ever onwards. To glory. New Year's Resolutions? Get more sleep. Eat carefully. Things like that.
Glee Club will soon be available for purchase from Playscripts. You can, though, already license performance rights.
What's up with me in the world of theater?
Well, I'm working with a good friend on a solo piece that I think is going to be tremendous. This time, I'm more of a director/advisor, which is a lot of fun.
I'm also on the prowl to bring back The Great Escape, a play of mine first produced in 2004. I've always loved the play, it's a deeply personal one, and it's my hope that it'll see new stages and audiences this year.
I'm currently writing Traveling to Montpelier which is a companion play to When Is A Clock. I'm feeling good about how it's going, and I'll keep you up to date as I work my way through it.
For those of you unfamiliar with When Is A Clock, "Traveling to Montpelier" is the name of a book that incites the action in that story. The new play is the story of the book's author, Daniel Wallers. It's my The Magician's Nephew, or something along those lines. I like the idea of a fictional world that can support the weight of several narratives and characters. Can you think of some examples of this type of storytelling you'd recommend to me, as reference? Or some cautionary tales?
Either way, I hope you're starting your year off right. More to come, as always.
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.