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Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

Thursday, February 16, 2012

By the way

I really like the term Off-Off Broadway. Always have. I don't mind Independent or Indie Theater as a label or new branding... but I've always liked the historical associations with "Off-Off Broadway." Maybe I'm just a traditionalist. It just never bothered me.

My two cents.

1 comment:

RLewis said...

I like the term, too, but unfortunately, in today's age of branding, it's not helping either of us.