The discussion started about Actor's Equity Reform has grown a bit. Playgoer linked to a discussion I have been hosting here, which I invite and encourage you to join.
Furthermore is John Clancy's own blog, which he's using as a sort of rallying point for organization and ideas. I suggest anyone who's interested in the nuts and bolts of producing in New York (whose name isn't Arielle Tepper), to take a look at what John wants to make possible for more of us.
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.