Herein Lies something interesting. Someone recently left the following comment on an older post of mine. I would very much like this anonymous guest (nameless if you will) to e-mail and elaborate on this.
The only other reaction I've read to the piece has been George Hunka's...which is, as always, rather well-examined.
I haven't seen it. I did review "The God's Are Pounding My Head" for nytheatre.com. I have mixed feelings about Foreman, truth be told. I think he's following a very particular muse. But on the other hand, he could be a self-indulgent bullshit artist. It's hard (very hard) to say.
So whomever you are, please give us a shout again.
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.