"The fact is, there are people who will buy tickets to daring, weird, new work. But usually, those people are young, and usually, those people do not have a lot of money. The math is alarmingly simple.
Here's what we know:
Current audiences are old and rich.
Current audiences like safe programming.
Younger audiences are more likely to support adventurous work.
Younger audiences don't tend to have a lot of money."
About Me
- Freeman
- Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.
Wednesday, April 02, 2008
National Performing Arts Convention Blog
Jaime will be blogging (in addition to her regular duties) in this new and lovely location: The National Performing Arts Convention . Her first post is entitled "The Value of a Cheap Ticket." Check it out, add to your bloglines, comment, and be generally aware of this great stuff...
Subscribe to:
Post Comments (Atom)
1 comment:
"The fact is, there are people who will buy tickets to daring, weird, new work. But usually, those people are young, and usually, those people do not have a lot of money. The math is alarmingly simple."
I think she left out one other identifier: they are young, poor, and probably artists themselves.
Post a Comment