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Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

Monday, April 19, 2010

Ontological-Hysteric Theater to leave St. Marks Church

Incubator series will remain.

The Ontological-Hysteric Theater announced April 16, 2010 that it will cease operations at the theater space at St. Mark’s Church in the Bowery at the end of the 2009-2010 season (June 30, 2010). The Incubator presenting programs will take over the theater July 1, 2010. Since taking up a permanent home at St. Mark’s Theater in 1992, the Ontological has presented annual theater works by Richard Foreman, whose trademark “total theater” unites elements of the performing arts, visual art, philosophy, psychoanalysis, literature and, in recent years, film. “My aesthetic remains the same, but after many years of making theater there’s been a thematic deepening of everything I’ve been working towards that can now only be made possible through film,” said the playwright and director.

Mr. Foreman’s Ontological-Hysteric Theater will continue to function. While not eliminating the possibility of occasional theatrical production, it will focus on film/video work under the sub-set of the International Bridge Project. Under the co-leadership of Foreman and previous Ontological administrator Sophie Haviland, the Bridge Project was established in 2004 to promote international art exchange between countries around the world through workshops, symposiums, theater productions, visual art, performance and multimedia events. Foreman and Haviland have already filmed material in nine countries around the world (including the U.S.).


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