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Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

Wednesday, February 13, 2008

Notes from Underground at the Brick

You should go and see this. I would very much like to. By all accounts it's amazing.

1 comment:

Anonymous said...

Saw it last night, and it is a great achievement. It's heartbreaking and haunting. No one does self-abnegations and self-loathing like the Russians, but to see the displays of hope in the Underground Man in the midst of his savage self-attack comes across very well. The unique set and staging are bold and innovating in a way that serves the play rather than being bold and innovating for its own sake. Honeywell does such a great job in this role, as does the entire cast as aspects of his mind and memory.